When a wind stirs, he too wakes from drunkenness To sit and listen to the rain on the bamboo leaves. In its midst is one who has abandoned the world, Enjoying himself with a lute and a goblet. In full summer it already seems to be autumn, So deep is the wood, one cannot tell when it is noon. The Bamboo Bank Bamboos are planted around the low mound Forming a bank of bamboo around the edge. Quietly, I watch the bees dance up and down. I love the smells that fill my bosom and sleeves, I do not let the wind and dew wet my clothes, My thoughts fly high beyond the flowery world. The Bank of Many Fragrances Various kinds of flowers are planted next to the thatched hall, Purple luxuriance and red beauty in random array The spring radiance and brilliance embroiders them with a thousand artifices, In the good air and scented mist a hundred fragrances mix. With characteristic restraint, he chose to use only ink, but, aided by the poems, the quiet and exquisite images easily evoke that magical, autumnal moment in the garden. In these works Wen achieved the ideal integration of the three separate arts of poetry, calligraphy, and painting (the so-called three perfections). The garden still exists in Suzhou, but centuries of renovations make it difficult to identify Wen's scenes. Sixteen years later, at the age of eighty-one, he painted this second album of eight views. In an album of 1535, Wen painted thirty-one views of the site, each accompanied by a poem and a descriptive note. In 1527, after an unhappy stay in Beijing, the artist Wen Zhengming returned to Suzhou, where he was given a studio in the garden. The Garden of the Inept Administrator (Zhuozheng Yuan) was built on the site of an ancient temple in Suzhou by the censor Wang Xianchen (act.
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